How can i help?
Based near Notre Dame, Chicago, and Indianapolis–I’m a Media Services Producer, Director of Photography, Editor, and Crew Coordinator.
Whether you need a single operator or a fully assembled crew with lighting and camera packages, I help bring the right people and the right tools together to deliver.
I can work on productions as a DP/DoP, Camera Operator, Crew Coordinator, Drone Operator, AC1/AC2, DIT, Stills Photographer, Editor, Colorist, or DAM Administrator.
I’ve collaborated with and/or deployed crews and packages on a variety of productions spanning:
Sports — documentary, interviews, game broadcast, and commercial branded social content.
Corporate & Commercial — branding, events, conventions, broadcast.
Advertising — automotive, nonprofit, telecom, and municipal branding.
Documentary – Day in the life, branded, scripted, unscripted.
Please send a message to inquire about current rates and to see recent work examples.
Production Services
Click the “+” to expand a service for more info.
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From interpreting scripts or elevating brands to providing dynamic event coverage, I offer versatile DoP expertise. My collaborative approach with directors and crew ensures visuals a production can take pride in.
Here is a completed project I recently DoP’ed: https://www.instagram.com/p/DJCipKgy7P7/ -
Familiarity with all major camera packages makes me the right fit on most any camera crew. I’ve worked alongside many DoP’s to help execute their or a director’s vision. Let me do the same for your team.
Camera Systems of Expertise:
-Sony FX, Cine Alta, Alpha
-Canon Cinema, EOS Hybrid,
-ARRI ALEXA Cameras
-ARRI AMIRA Cameras
-Blackmagic Design
-RED DSMC2 and DSMC3
-Lumix -
Do you need a full crew? I keep an up to date circle of many professionals for each potential production need. I prioritize assembling crews that work well together. From DoP’s to Gaffers to PA’s to UPM’s and everyone in between, count on me to assemble the best crew possible for your project.
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I’m an FAA UAS 107 certified operator. On hand, I typically keep DJI Mavic series drones.
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I spend just as much if not more time editing as I spend on set. Programs within my expertise are Davinci Resolve, Premiere Pro, After Effects, and Final Cut Pro.
In addition to well over 40,000 hours editing for productions, I have a great deal of experience color grading client footage from across all industry standard camera systems. -
These are the equipment package categories I can provide access to, either as an owner operator or to help supplement other productions’ supplies. Message me for a link to an up to date list.
I can supplement commercial level productions or fully equip small-crew productions. I also have a wide variety of reliable sources for equipment needs that can’t be addressed with equipment I own.
-Camera & Lens-
-G&E-
-Camera Support-
-Audio-
-Comms-
-DIT- -
Does your production need a DIT for Media? Or beyond that, does your production have a NAS/SAN that needs to be deployed for collaboration with several crew?
Not only am I capable of on-set DIT and media, I also regularly design and deploy DAM’s/DIT policies for consulting clients, productions, education media departments, and corporations’ in-house media departments.
Within this capability, I have also frequently serve as productions’ technology supervisor.
reach out.
Let me raise your production’s value. Use the form below to tell me about the project you’d like support for and which service(s) your project or crew is in need of. I respond to most emails within the hour and certainly by next business day.